ARCA is proud to invite you to complete the following survey titled Assessing Professional Conditions for Performance Artists in Canada developed at the instigation of an ad hoc group of performance art organizers gathered in Calgary, as part of the M:ST festival in October 2016. The survey is intended for all artistic organizations that program performance art. The questionnaire was developed with input »»
Canadian Heritage needs your help to better understand the challenges and opportunities within the Canadian visual arts marketplace. Whether you’re a Canadian artist, collector, or consumer—or however you’re connected with the visual arts marketplace—Canadian Heritage want to hear your perspective. An anonymous virtual space was created to share your experiences, as well as your thoughts »»
An examination of selected international models of artist-run national arts service organizations commissioned by ARCA with support from the Leadership for Change program at the Canada Council for the Arts. The study was produced by MDR Communications, published in January 2017 and circulated to other National Arts Service Organizations in the visual and media arts »»
Montréal, October 19, 2016 – Part of ARCA’s mandate is to produce studies. Luckily, community based research is made easier today with recent developments in online data collecting and processing platforms. Members of the RCAAQ, frustrated with their own work conditions, have mobilized to update a 2005 survey on human resources. Read L’arca in the loop No. 7
This study titled The Visual Arts Landscape in Canada as seen through CADAC 2011-2012, and prepared by the Research and Evaluation Office of the Canada Council for the Arts provides many answers while also raising a few questions. We learn that museums receive 88% of public financing, or $128,400,000 while artist-run centres receive only 10%, or $14,600,000. Budgets for the 88 artist-run centres reporting to CADAC do not exceed $750,000 a year, which is also the case of 58 museums and public galleries; however 65 of these institutions have budgets ranging from $750,000 to $7M.
In this interview, artist Julie Ault, cofounder of Group Material, active from 1979-1996 in New York and internationally, speaks of her experience leading a master class with non-profit cultural workers in a day long reflection on alternative art spaces. Group Material is remembered as a not-for-profit organization that emphasized collaborative and socially engaged artistic practices. Drawing from her lived experience as a participant, and her later role as the ad hoc historian for the group as editor of Show and Tell: A Chronicle of Group Material (2010).
The arcpost resource centre includes: 772 links to artist-run centres and other independent arts organisations from Canada and around the world An Artist-run culture reading list as a downloadable bibliography in PDF format of over 130 book and journal references to artist run culture, alternative pedagogies, institutional critique, economics and artist self-organization compiled by Mariane Bourcheix-Laporte »»
(Montreal, May 22, 2012) The Artist-Run Centres and Collectives Conference(ARCA) welcomes the publication of the Burgess Report, a study titled The Distinct Role of Artist-Run Centres in the Visual Arts Ecology by MDR Burgess Consultants. Commissioned by the Research and Evaluation Section of Canada Council for the Arts, the study’s goal is to provide the Canada Council, and by extension, the visual arts milieu, with a deeper understanding of the roles and characteristics of artist-run centres (ARCs).