This second brief will emphasize the active role that the publisher must play to ensure a connection with immediate and long–term readerships, whether this publisher is an artist–run centre, an independent small press, or the authors/artists themselves. Read the brief here
This is a faceted taxonomy of publishing forms and genres typically used in visual arts publishing. The idea is to show how, in artist-led publishing, the aesthetic choice of form is critical to attracting a public and to facilitating circulation through atypical trade routes. Consult the taxonomy here .
The Grey Guide to Artist–Run Publishing and Circulation is composed of a series of seven briefs written and developed by artist, critic, cultural worker and art librarian Felicity Tayler. Register to our list to receive the bi–weekly e–campaign, from March 1st to June 21, 2017. Here is the introduction
On October 16 and 17, some bibliophiles from the visual arts community met in Vancouver to explore ways we can better connect our publications to audiences. Among the participants were organizations with resources and knowledge that could be mobilized in service of a collaborative, networked dissemination project.
Publications selected in this bibliography establish a dialogue with the book as object or concept, invest it as a platform for diffusion, play with its materiality, or investigate its inherent relationship to language.
This bibliography gathers titles published by Canadian and Québécois artist-run centres, which chronicle their history or important moments of their development. Far from being exhaustive, this bibliography begs to be completed and expanded by readers.
Far from being exhaustive, the present Sélection of Canadian artist-run centres’ publications—many bilingual in French and English, representing mostly the Québec and French Canadian scenes in Canada—presents a cross-section of titles published from 1991 to today. This initiative stems from a desire to revive or re-circulate key texts and documents produced by the network and thereby to shed light on ARCs’ contributions to the development of critical discourses about contemporary art in Canada.
In 2014, ARCA commissioned Mariane Bourcheix-Laporte to examine the evolution of art publishing funding at the Canada Council for the Arts.
Art publishing advocacy work begun years ago has recently culminated in the production of a letter to Simon Brault, Canada Council’s new CEO, signed by over 70 individuals from the art publishing community. The letter is the outcome of a networking meeting held in Montreal November 7-8, 2014, where a loose knit group of independent cultural producers, directors of artist-run centres and university art galleries among others proposed to work under the umbrella of TXT – The Canadian Art Publishing Network / Le réseau canadien de l’édition en art.
Publishers, artists, collectives, artist-run centres, institutions and art book distributors are welcome to apply to participate. Simply send a brief email introducing yourself and your publishing activities to our Exhibitors Coordinator…