In the spirit of sharing knowledge, representatives of the nine regions are encouraged to produce regular reports on recent events, challenges, and projects that are of interest for the entire network of artist-run centres. The present report covers news for the period ending August 31st, 2012.
Hosted by Le Regroupement des centres d’artistes autogérés du Québec (RCAAQ), the 2010 Conference The Americas: Independent Artistic Practices in the Era of Globalization examined the state of residencies in the Americas by taking stock of the experiences, local initiatives, and self-management models impacting methods of production and distribution, as well as the creative contexts for contemporary work. Our intention was to allow Conference participants to meet the most representative interlocutors from the Americas’ vast cultural scene and to understand the stakes and factors both distinguishing and uniting them.
Hosted by Artist-Run Centres and Collectives of Ontario (ARCCO), the Hot Buttons conference provided a stimulating forum that generated dialogue and debate on critical issues facing artist-run centres in Canada. An impressive and diverse range of panelists and keynote speakers at the forefront of artist-run culture focused on questions such as whether or not artist-run centres are successfully interacting with the younger generation of artists, serving the needs of newer artistic practices, or effectively reaching out to new audiences and increasing public awareness and appreciation and adapting to change.
Organized by Pacific Association of Artist-Run Centres (PAARC) PAARC, coordinated by Keith Wallace. Although this conference precedes the official creation of ARCA, it was following the InFest conference that representatives from centres across the country agreed to form the Artist-Run Centres and Collectives Conference / La Conférence des collectifs et des centres d’artistes autogérés (ARCCC/CCCAA), a coalition of regional associations and specific caucuses.
Organized by Le Regroupement des centres d’artistes autogérés du Québec (RCAAQ), the conference emerged from a desire to examine the publishing activities of the artist-run network. The international meeting focused on the specific modes of production and distribution that define the milieu and their distinct contribution to the artworld and market.
An initiative of ARCCO, the Convergence conference ended a nine year professional development and networking drought in the artist-run centre community, a direct result of the demise of the national organization ANNPAC in 1994. ARCCO was the first provincial organization to respond to this need by developing a national conference specifically for the artist-run centre »»