Far from being exhaustive, the present Sélection of Canadian artist-run centres’ publications—many bilingual in French and English, representing mostly the Québec and French Canadian scenes in Canada—presents a cross-section of titles published from 1991 to today. This initiative stems from a desire to revive or re-circulate key texts and documents produced by the network and thereby to shed light on ARCs’ contributions to the development of critical discourses about contemporary art in Canada.
Excerpted from ARCA’s 2014–15 Activity Report, this micropublication of 12 briefs will allow you to follow each subject individually while getting a holistic sense of ARCA’s activities as they are connected to current cultural events. A printed version will be distributed to participants of the plenary as part of the conference Artists at the Center: Moving from the Margins to Inclusion.
The Directory is an online database of artist-run centres and collectives (ARCs) from across Canada and interactive location map. Covering the breadth of the artist-run network and its distribution across the nine artist-run associations that make up the ARCA membership, the Directory allows art professionals to locate centres using a variety of filters including location, type, discipline, and submission deadlines.
In 2014, ARCA commissioned Mariane Bourcheix-Laporte to examine the evolution of art publishing funding at the Canada Council for the Arts.
The members of the Artist-Run Centres and Collectives Conference met recently to debrief the results of the latest Artist-Run Centres multi-year operating program peer evaluation for 2014-2017. The following is an overview of their observations and the basis for further discussions and actions.
The “Questionnaire” and “Notes on Space” produced for the workshop are offered here under a Creative Commons licence (free to share, but with attribution and no derivative works) as a preliminary, rather than prescriptive toolkit in keeping with the ‘case by case’ reality of facilities undertakings.
What riding is your centre located in? Have you started thinking about our new government’s promise to double the budget of the Canada Council for the Arts? The following resource is adapted from the Canadian Arts Coalition’s website. Arca encourages members of the artist-run community to adapt and personalize the material produced for the 2014 Arts Day on the Hill campaign, and adapted by ARCA, to engage with local politicians. The topic for the 2014 pre-budget committee hearings was “maximizing the number and types of jobs for Canadians.” This topic remains a top priority so take the opportunity to highlight recent statistics on employment in the artist-run network, and, to reiterate the Canadian Arts Coalitions recommendations for the federal budget 2016. Once again, Arca thanks the Coalition’s volunteers for developing and sharing this material.
ARCA is proud to announce the upcoming publication of PERFORMANCE ART PRESENTATION IN CANADA TODAY, a summary of the LIVE Retreat minutes, Vancouver October 9 & 10, 2012, in INTER, ART ACTUEL – #115 fall issue, prepared by Stacey Ho and Randy Gledhill with the support of the Artist-Run Centres and Collectives Conference / La Conférence des collectifs et des centres d’artistes autogérés (ARCCC/CCCAA, aka ARCA).
The Field is ARCA’s first venture into commissioning works that aim to provide perspective on the role of Canadian artist-run centres. This video by emerging filmmaker Heidi Phillips focuses on one install at RAW: Gallery of Architecture & Design in Winnipeg. The environment created by artist-architect Frank Fantauzzi, associate professor in the Department of Architecture at the University of Manitoba, Charlie O’Geen and a team of collaborators, portrays how, more and more, artist-run centres support an ever-expanding artistic field, across disciplines, and across communities.
In the fall of 2009, in collaboration with our colleagues from the Independent Media Arts Alliance (IMAA), ARCA conducted a survey of working conditions in the artist-run centres’ network. The results of this study, the first of its kind on the national level, were intended to help workers of artist-run centres better communicate their needs »»